The movie bombards us with so many overlapping fantasies, it's hard -- and in many ways, beside the point -- to keep up with the plot. It's best appreciated by assuming something of a dream state ourselves and enjoying the giddy flow.. Special, strange and peculiarly potent.. We're so used to current cautious commercial formulas, it comes as an enjoyable shock to see something like Satoshi Kon's Japanese film, Paprika, which reminds us that with animation, almost anything you can imagine can be ...
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